![]() ![]() This all adds up to quick and easy modulation routing.Īs well as common modulation sources such as velocity, aftertouch and LFO (of which there are two), Pharlight makes use of some less common sources such as note duration and the velocity of the previously played key. Beneath the identifier is a small vertical bar that operates like a miniature fader, with which you can set the amount of the modulation source to apply to the parameter. Clicking an identifier opens a drop-down menu from which you can select the modulation source for the corresponding parameter. Those sources are given an identifier – for example X for the X/Y pad’s X axis or L1 for LFO 1 – which appears just above and to the left of the parameter being controlled. Pharlight is big on modulation and so practically every parameter can have one of the available modulation source mapped to it. Hours of fascinating experimentation beckon. Interestingly, as well as having their own sets of built-in samples, both modules allow you to drag in your own samples. That bedding could be an initial transient, a drone to lock down the pitch or simply a sound that blends well with whatever you create in the grain module. The idea is that the sample module can create a solid bedding on which the potentially more whimsical sounds of the grain module can bounce around. Many of these are based on voice recordings but there are synth waveforms, drones, percussive sounds and special effects too. The sample module has a different selection of source samples. Another fine feature is that the granular engine’s sample point can be monophonic, with one sampling point shared by all notes, or polyphonic, with each note sporting its own sampling point. You can also introduce a jitter that causes the sampling point to randomly jump around as it scans through the waveform. You can control, among other things, the bounds of the source waveform, how rapidly the current grain sampling point will scan through the waveform and in what direction, and the length of grains and the timing between them. There’s a solid amount of control over how the engine goes about extracting sound grains from your source waveform. Many of these have been processed and resampled to bring out certain characteristics and to make them work well in the context of granular synthesis. The samples packaged within the grain module are all derived from vocal performances of one form or another: sung choral notes, beatbox sounds and many other hums, breaths and idiosyncratic noises the human voice can produce. The instrument is designed to be responsive to these modulation changes, with a particular focus on X/Y pads as modulation controllers. ![]() These modules are backed by a sophisticated modulation system that includes tools for blending different modulation sources together into a single complex modulator. That engine builds its sound from two sound-generation modules, the first using a granular synthesis engine and the second a conventional multi-sample engine. These master presets allow you to blend and switch effortlessly vibrato, non-vibrato and tremolo sustains, a variety of short bow strokes and naturally dynamic tempo-based expressions, effects, rhythmic patterns, runs and sequences.Pharlight’s engine is based on the similar Straylight instrument created by the same development team. The Master presets include a broad selection of fundamental articulations, each with their own range of customizable real-time performance options, key-switch and mapping options, handy auto-functions, apregiators, FX and performance tools. The library includes a full-ensemble preset and 4 Master and True-Legato section presets for 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. We’ve also equipped the interface with plenty of spatialization, environment simulation and positioning controls and options to let you dial in the sound and character you need. It can also be used to fatten and layer with other strings to create massive arrangements. ![]() It has a strong tone and wide dynamic range that can be shaped to fit any genre or style. The Hyperion String ensemble has a forward and robust sound unlike any other. It’s ready to perform from the moment you load it up. This virtual instrument is a robust musical production workhorse that will serve you well, whether you’re a working composer, student, producer, songwriter, teacher, arranger, band, sound designer, or are just curious about creating your own music. It's made for Native Instruments’ free Kontakt Player and the NKS Standard. It was recorded with uncompromising engineering precision and then hand-edited and carefully balanced to achieve a new benchmark in quality and playability. "Hyperion Strings Elements is a universal string ensemble library built for everyone. ![]()
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